Pyro Industries API-1394PCI Bedienungsanleitung PDF herunterladen (Seite 73)

CHAPTER 2: CAPTURING ■

One sure way to organize is by tape and then by subject. When you capture

media, put the clips from each tape into individual bins (i.e., all the clips from Tape 1

go into a bin together). Later, organize them by subject. For example, if Tape 1 has an

interview and some B-roll footage, make copies of the clips (you can do this by Alt/Opt

click and drag) and drag them into subject bins (such as Interview and B-roll.) Usually

your director will want to see either the clips from the tape (which you can cut together

into one long sequence) or a particular subject, which can also be strung together

quickly.

Setting Up Your Target Bin

In the next area of the Capture tool, you tell the program where your output is going

and what characteristics it should have.

Choosing the Target Bin

Any bin that is open can be selected as the target bin for captured clips. If you want to

capture to a bin that is not open, simply open it (double-click the name on the Bin tab

of the Project window), and it will appear in the list of open bins in the Target Bin

pop-up menu on the Capture tool.

Selecting Media Resolution

With Free DV, your only choice for Media Resolution is DV-25, described as follows.

Xpress Pro has up to four different media resolutions:

1:1 (Uncompressed) Resolution This is available only with the optional Mojo. You can

capture 1:1 uncompressed resolution using various methods: Composite video, S-Video

(Y/C), or Component, with the optional component cable.

The optional component cable uses the signal paths from S-Video and Composite

inputs for the three required separate signals for R–Y, B–Y, and Y components. As a

result, you can input a far superior picture through the Mojo and gain uncompressed

resolution.

So which method of capture should you use? Start with Component. If the deck

doesn’t offer Component output (or if you don’t own the optional component cable),

try S-Video (Y/C). If the deck doesn’t have that kind of output, you’re stuck with

Composite.

DV-25 (4:1:1) or DV-25 4:2:0 (PAL Only) This compression uses standard DV codecs.

DV video is compressed 5:1 in its native form. No additional compression is added

when coming from a DV-25 source directly through FireWire. You can also use DV-25

as a compression scheme on any input source, including sources that originate as ana-

log signals coming in through Mojo or a transcoder.

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Pyro Industries API-1394PCI Bedienungsanleitung Seite 73