Pyro Industries API-1394PCI Bedienungsanleitung PDF herunterladen (Seite 82)

■ THE CAPTURE TOOL: DECK, CAMERA, AND TIMECODE CONTROLS

timecode begins at 1:00:00:00, Tape 2 timecode begins at 2:00:00: 00, and so forth).

Nonetheless, any timecode is better than none because it refers to a specific frame on

the specific tape.

Although Avid systems are very reliable, there is nothing better than a feeling of

security. If for some reason you lose media, you still have accurate timecode and tape

names. Most of the time spent during capture is getting the numbers. As long as your

bins still exist, recapturing takes little time and is very simple to do.

The Marks Registers

The Marks registers are located on the right of the Deck Control tools (see Figure 2.34).

They allow you to Mark In and Mark Out, enter timecode numbers directly, jump to

specific points, and store a timecode number temporarily in a register.

Mark In This button allows you to mark the beginning of the clip that you want to

capture. With the tape rolling, click it, and the timecode that occurred when you

clicked the button will appear in the register to the right.

You can also use this register for direct timecode entry. To do this, first clear any

existing timecode (by clicking the Clear button at the right or by highlighting the num-

ber and pressing Delete). Then type the correct timecode number and press Return.

To the right of this register is a Mark In button with an arrow. This button allows you

to cue the tape to that specific point, or “go to” the Mark In. Each of the marks regis-

ters, with the exception of the duration register, has this capability.

Mark Out This register denotes the last frame of capture. To use it, follow the same

procedures mentioned above in the Mark In description.

Figure 2.34 The Marks registers allow you to

enter or cue to particular points in your

footage.

Cue Mark In

Clear Mark In

Cue Mark Out

Clear Mark Out

Clear Storage Point

Cue Storage Point

Mark In

Mark Out

Duration

Storage

Note: Editors who are new to nonlinear systems frequently make the error of forgetting to change the

tape number when capturing.It is much easier to change names when capturing than trying to discern which

pictures came from which tape later! Try to maintain an accurate database as you capture your materials.This

is especially important if using source materials from mini-DV cameras with 1:00:00:00 timecode.Otherwise,

you could have two very different clips with the same timecode and the same tape name in the same bin,

which would undoubtedly cause problems with media management.

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