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GLOSSARY ■
signal. It is the blackest point in the visible
picture. Also called black level or pedestal.
shared volume segmentation A method of trans-
ferring media files to a workgroup in seg-
ments so that users can begin using the files
without the entire file having been sent. Also
called chunking.
shot log A listing of information about a roll
of film or a reel of videotape, usually in the
order in which it was shot.
shuttling Reviewing footage at speeds greater
than the normal playback rate.
sifting Searching for and displaying clips that
meet specific criteria in a bin.
signal-to-noise (S/N) ratio The ratio of a wanted
signal to an unwanted noise within the sig-
nal. The higher the S/N ratio, the better.
silence Blank space in the audio tracks in a
Timeline that contains no audio material.
Not the same as ambience, which contains
background noise.
single-perf film Film stock that is perforated
along one edge only; generally 8mm and
16mm stock.
slate 1. An identification board held briefly
in front of the camera at the beginning of a
take that displays information about the
take. The clapper on top of the slate allows
for the editor to properly synchronize sound
and picture when using a double system.
2. An identification screen preceding between
bars and tone and program content on a
videotape master.
slewing The synchronizing of decks in com-
puterized editing systems.
sliding A form of trimming where a clip is
“slid” in its entirety along the outgoing
(A-side) and incoming (B-side) shots.
slipping A form of trimming where the head
and tail frames of the clip change propor-
tionately, for example, if two frames are
removed from the head of a clip, they are
added to the tail of the clip.
smart slate A slate held in front of a camera
which also includes a timecode and/or user
bit LED display that is fed from the sound
recorder for easier synchronization
purposes.
SMPTE Acronym for Society of Motion Pic-
ture and Television Engineers. A society
that develops standards used for television
and film.
SMPTE DAT A digital audiotape (DAT) machine
that uses Society of Motion Picture and Tele-
vision Engineers (SMPTE) timecode. SMPTE
DATs are far more expensive than a conven-
tional non-timecode DAT.
SMPTE leader Countdown leader placed at
the head of each built film reel. Society of
Motion Picture and Television Engineers
(SMPTE) leader counts from 8 to 2 seconds.
When the first “2” frame appears, a 1000 Hz
tone pops with it (called the 2-pop, or sync
pop), and an additional 47 frames of black
are shown before the reel starts. As opposed to
Academy leader, which counts from 11 to 3.
SMPTE timecode The timecode standard
approved by the Society of Motion Picture
and Television Engineers (SMPTE), as
opposed to other standards such as VISCA
timecode. The most commonly used format
of timecode.
soft matte Term used when shooting without
a matte, with the intention of inserting one
during negative printing. Soft matting allows
for adjustments to be made to the frame,
optically if necessary. Also allows for a 1.33:1
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